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Wings of Desire Audrey Hepburn also deserves credit for popularizing the winged liner look as Holly Golightly in 1961's Breakfast at Tiffany's. The actress was blessed with dark velvet eyes that tilted up naturally at the outer corners, making her a perfect poster child for the thin, flicked line. Her on-set makeup artist on the iconic film, Wally Westmore, reportedly alternated brown and black liner with shadow, depending on whether they were shooting day or night scenes.

La Bella Donna Sophia Loren was fond of applying black liner slightly beyond her eyes, even angling the tip down subtly to accentuate her natural almond shape. Piles of mascara completed her signature va-va-voom look, which was the subject of an homage at Dolce & Gabbana's molto italiano Spring show.

…And God Created Bardot Brigitte Bardot rimmed her cat-shaped eyes with thick black pigment, applying layer after layer of liner, with an uptick equal to the width of a pinky finger. Decades later, the blonde bombshell is still the go-to example for looking sexy without trying too hard.

Mod Squad Mad Men has cemented our modern obsession with all things sixties, including cat-eyes. Lana Horochowski, the show's head makeup artist, relies on pots of MAC's Fluidline liner in Blacktrack and individual lashes applied at the corners to faithfully re-create Christina Hendricks' retro style.

Très Jolie Angelina Jolie's cat-eye looks dark and vampish one moment, then refined and polished the next. The trick is in the angle of the flick—a straighter line conveys grace while a harder, curled edge befits her Oscar-winning, blood vial-drinking days circa 2000.

Fluoro Fabulous When Lily Allen burst onto the scene in the early aughts, she brought her own adaptation of the cat-eye with her, i.e., flicked-up tips in neon shades of professional Kryolan pigments. Somewhat partial to orange, Allen was also known for dabbling in Day-Glo pink and green, but ultimately she went back to black with Chanel's Écriture de Chanel classic pen.

Kate the Great Kate Moss recently revealed that her 9-year-old daughter "likes the fresh-faced, natural mummy," but we prefer our Kate with her signature black liner intact and drawn on with a slight, imperfect tip. Except, that is, when makeup artist Pat McGrath is doing the scrawling, as was the case backstage at Louis Vuitton last season. Pure perfection.

Sideways Glances Unhinged housewives from the fifties inspired the striking cat-eyes at Jonathan Saunders' Spring 2012 show, where lead makeup artist Lucia Pieroni stroked on MAC's Fluidline in Blacktrack using its tapered #263 Small Angle Brush. The curving lines were so extended they could be seen from the sides of the models' faces.

Ciao, Bella Backstage at Dolce & Gabbana, the brand's The Make Up color consultant, Pat McGrath, channeled Sophia Loren with a glamorous winged design, using a quarter strip of faux lashes and multiple coats of mascara to ensure the final look was true to the screen siren's original style.

Seeing Double Giorgio Armani international makeup artist Linda Cantello provided her own update for Spring, scrawling not one but two iridescent black flicks onto lids at Giorgio Armani for lines that glowed like "watery reflections."
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